Double Feature
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As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below.
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“That drug-store business was just small change,” continued Tom slowly, “but you’ve got something on now that Walter’s afraid to tell me about.”
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He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing
dreams like air, drifted fortuitously about . . . like that ashen, fantastic figure gliding toward him through the amorphous trees at
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when they had torn open her shirtwaist, still damp with perspiration, they saw that her left breast was swinging loose like a flap, and there was no need to listen for the heart beneath.
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So we drove on toward death through the cooling twilight.
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Labels: daisy, death proof, fitzgerald, grindhouse, jay gatsby, nick carraway, planet terror, tarentino, the great gatsby doctor block, tom buchanan
2 Comments:
I hope no turtles were harmed in the making of these films.
Donatello reportedly was slightly mutated in the making of Great Gatsby.
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