Double Feature
As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below.
“That drug-store business was just small change,” continued Tom slowly, “but you’ve got something on now that Walter’s afraid to tell me about.”
He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing
dreams like air, drifted fortuitously about . . . like that ashen, fantastic figure gliding toward him through the amorphous trees at
when they had torn open her shirtwaist, still damp with perspiration, they saw that her left breast was swinging loose like a flap, and there was no need to listen for the heart beneath.
So we drove on toward death through the cooling twilight.
Labels: daisy, death proof, fitzgerald, grindhouse, jay gatsby, nick carraway, planet terror, tarentino, the great gatsby doctor block, tom buchanan
2 Comments:
I hope no turtles were harmed in the making of these films.
Donatello reportedly was slightly mutated in the making of Great Gatsby.
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