Captain Palmer of the “Iroquois,” who was a friend of the young man’s uncle, Sydney Brooks, took him with the officers of the ship to make an evening call on Garibaldi, whom they found in the Senate House towards sunset, at supper with his picturesque and piratic staff, in the full noise and color of the Palermo revolution. As a spectacle, it belonged to Rossini and the Italian opera, or to Alexandre Dumas at the least, but the spectacle was not its educational side. Garibaldi left the table, and, sitting down at the window, had a few words of talk with Captain Palmer and young Adams. At that moment, in the summer of 1860, Garibaldi was certainly the most serious of the doubtful energies in the world; the most essential to gauge rightly. Even then society was dividing between banker and anarchist. One or the other, Garibaldi must serve. Himself a typical anarchist, sure to overshadow Europe and alarm empires bigger than Naples, his success depended on his mind; his energy was beyond doubt.
Adams had the chance to look this sphinx in the eyes, and, for five minutes, to watch him like a wild animal, at the moment of his greatest achievement and most splendid action. One saw a quiet-featured, quiet-voiced man in a red flannel shirt; absolutely impervious; a type of which Adams knew nothing. Sympathetic it was, and one felt that it was simple; one suspected even that it might be childlike, but could form no guess of its intelligence. ...
The lesson of Garibaldi, as education, seemed to teach the extreme complexity of extreme simplicity; but one could have learned this from a glow-worm. One did not need the vivid recollection of the low-voiced, simple-mannered, seafaring captain of Genoese adventurers and Sicilian brigands, supping in the July heat and Sicilian dirt and revolutionary clamor, among the barricaded streets of insurgent Palermo, merely in order to remember that simplicity is complex. #